I Visited a Wine Cave in Lower Austria. (2024)
Composition for cello and live-electronics (stereo), 10 minutes.
Premiered at Villa Magni, Pistoia, Italy (09\24); soloist: Elide Sulsenti.

Chant d’extase dans un paysage vaste (2024)
Composition for accordion and live-electronics (8-channel), 7 minutes.
Creation for festival Mani.Feste 2024 (atelier solo et amplification).
Premiered at Espace de projection, IRCAM, Paris (06\24); soloist: Anthony Millet.
event info (premiere)
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bimmel.resonnanz.glossolalie (2024)
Composition for electronics, voice actor and AI-generated voices, 8 minutes.
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There Are Other Worlds They Have Not Told You Of. They Wish To Speak To You. (2024)
Generative radio-play \ composition for piano, voice actor and AI-generated electronics, 30 minutes.
Premiered at 30th edition of Forum Event, IRCAM, Paris (03\24).
Event info (premiere)

STUDY FOR SINGING BOWLS, DRUMSET, PIANO AND LIVE-ELECTRONICS (2023)
composition for singing bowls, drumset and live-electronics, 25 minutes.
Premiered at KunstbeTrieb Wien, Vienna (11\23).
Event info (premiere)

ALSER.SPEKTRAL (2023)
composition for organ and live-electronics (12-channel), ca. 10 minutes.
Result of residency at Alserkirche, Vienna in 05\23.

Collected Sounds | I: Vienna (2023)
composition for flute and found footage (field recordings), 5 minutes.
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I'll Be a Little Bit Late Because I Got Lost in the Practice Room (2023)
Composition for electronics (16-channel [flexible]), 4 minutes.

Zufallsfuge (2023)
composition for four players (variable instrumentation), 5 minutes.

Completion May Contain Sensitive Content (2023)
Collection of compositions for orchestra, voice and AI-based electronics, 45 minutes total.
Recording with Deutsches Filmorchester Babelsberg in 02\23.
Intended release in 2025.

L'Orgue génératif. Ein Filmtraum. (2022)
Audiovisual composition for theatre organ, acousmatic voices, AI-based electronics (8-channel) and AI-generated visuals, 45 minutes.
Supported by the Institute for Artistic Research Potsdam and Museum Barberini Potsdam.
Premiered Filmmuseum Potsdam (12\22).
Event info (premiere)

An Artificial Dream (2022)
Composition for soprano, acoustic guitar, electric guitar, percussion and piano, 8 minutes.
Commission by composers concordance, New York.
Premiered at Hosek Contemporary, Berlin (11\22).

Study for 20 field recordings (2022)
composition for fixed media electronics (field recordings), 4 minutes.
commission of the Institute for Artistic Research Potsdam.

Fibonacci-Continuum (2021)
Composition for organ, 10 minutes.
Result of residency at church St. Matthias, Berlin.
Premiered at EXPERIMANCE festival Saarbrücken (07\22).
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Spectral Study (2021)
Composition for orchestra and electronics, 6 minutes.
Recording with Deutsches Filmorchester Babelsberg in 2021.
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Four Seasons: Spring (2021)
Composition for orchestra and voice, 4 minutes.
Recording with Deutsches Filmorchester Babelsberg in 2021.

The Fact Is... (2021)
composition for string orchestra and found footage (radio sounds \ voice), 1.5 minutes.
Recording with Deutsches Filmorchester Babelsberg in 2021.
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Tödliches Terrain: Andante Brutale (2020)
composition for electronics (found footage \ field recordings), 8 minutes.
commission by Rundfunk Berlin Brandenburg (as part of radio play Tödliches Terrain).
further information at ARD Hörspieldatenbank.
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Floating — Reflections on Water (II: Molecular States) (2020)
Composition for Ensemble (Alto saxophone, Tenor Saxophone, Two Bass Clarinets, Piano, Two Vibraphones, electric Guitar, electric Bass, Double Bass, Voice, percussion), water tank and electronics, 20 minutes.
commission by Jazzfestival Alto Adige Südtirol.
Collaboration with Damian Dalla Torre, Richard Köster and EUREGIO jazz collective.
event info (restage at Leipziger Jazztage 2021)

Fractal Study (Hommage à Conlon Nancarrow) (2020)
composition for programmed piano, 5 minutes.

x815 (2020)
composition for electronics, 4 minutes.
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Hommage À Jehan Alain (2020)
composition for mixed chorus, 10 minutes.
commission by Vocoder Vokalensemble Hamburg.

Étude de la Gamme Augmenté (2020)
Composition for flute and piano, 2 minutes.

Prélude à 3 voix (2020)
Composition for solo piano, 6 minutes.
Orchestration for wind quintet in 2021.
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Ein Weihnachtslied (2019)
Composition for Orchestra, 3 minutes.

Tango – Valse – Rag (2019)
Composition for solo piano, ca. 9 minutes.

Quatre études (gamme par ton, pour deux voix, pour la main gauche, 5 temps) (2019)
Composition for solo piano, ca. 13 minutes.

Hommage à Stravinsky (2019)
Composition for two pianos, ca. 8 minutes.
Orchestration for organ, tenor saxophone and trumpet in 2019.

Zwei Stilkopien (Fauré, Shostakovich) (2019)
Composition for solo piano, ca. 9 minutes.

The Problem of Molting (2018)
Composition for jazz quintet (voice, piano, electric guitar, double bass, drumset), ca. 5 minutes.

Begegnung #1 (2017)
Jazz Composition for Piano and Flugelhorn or Ondes Martenot, 10 minutes.
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Entschuldigen Sie, ist dies der Sonderzug nach Ruhleben? (2017)
Composition for jazz quintet (tenor saxophone, trumpet, piano, electric bass, drumset), ca. 10 minutes.

04h42 a.m. (Hommage à Jehan Alain & Bill Evans) (2016)
composition for solo piano, 6.5 minutes.
Premiered at Montreux Jazz Festival 2016.
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À une passante (2016)
composition for solo piano, ca. 5 minutes.
Premiered at Montreux Jazz Festival 2016.

Lèvres (2016)
composition for violin and piano, ca. 5 minutes.

B.L.U.E.S. (2015)
Jazz composition for flugelhorn and piano, 8 minutes.
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A Serious Lullaby (2015)
composition for jazz ensemble, ca. 10 minutes.

Carraigh & Cuimhne (2014)
Jazz Composition for voice and piano, ca. 8 minutes.

September (2013)
Jazz composition for bass clarinet and piano, 7 minutes.

Drei Variationen über das Prelude No. 1 von George Gershwin (2012)
Composition for solo piano, 15 minutes.